Entertainment Business Terms

Whether you are the next hot entrepreneur or just trying to land that business internship, we’ve got you covered. Browse the Entertainment Business Terms below to build your professional vocabulary.

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Terms

Administration

The supervision of all financial, copyright and contractual aspects of either an entire catalog or a particular song.

A&R Director

Artists and repertoire; record company staffer or liaison in charge of selecting new artists, songs and masters.

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Booker

An agency employee who sets appointments for talent/models.

Booking

A confirmed session indicating you have a job.

Booking Agent

One who finds employment for artists from buyers of talent.

Book Out

A call to all of your agents to let them know you are working, traveling or are unavailable for auditions or a job.

Bootlegging

The unauthorized recording and selling of a performance of the song.

Breakdown Services

A fee-based service provided to agents that offers a daily breakdown of roles for each production submitted by participating casting directors.

Business Owner/Manager

A fundamental management function of an independent producer is making deals, but in doing this there are a myriad of rules, regulations and forms to navigate through.

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Casting

When a casting director puts out the news that he needs to fill a certain role that requires an approximate age range and appearance such as a certain ethnicity, height, build or look.

Clearance Agency

Same function of a performance rights organization, such as ASCAP, BMI, SESAC.

Commission

Percentage of income paid by actors to their representative. If it is an agent, the amount cannot be over 10% for a union contract; if it is a manager, the percentage is unregulated, but is traditionally 15-20%.

Common-Law Copyright

Natural protection of a song based on common laws of the various states. Was superseded by a single national system effective January 1, 1978.

Compulsory License

Statutory mandate given to a copyright owner to permit third parties to make sound recordings of the copyright owner’s song after it once has been recorded.

Conflicts

Being under contract for two conflicting products. This is prohibited for union commercials. An advertiser would never want one person on the air advertising both the company’s product and a competitor’s.

Consultation

Meeting The interview with a photographer which you have selected as a final choice which gives you a chance to ask questions regarding clothes, make up, what types of look you want to capture, etc.

Consumer Publication

Entertainment oriented periodicals written and published for a general public readership, i.e., Rolling Stone, Spin.

Coogan Laws

Guidelines created by SAG and named after child-actor, Jackie Coogan, for the work and pay schedules of children.

Co-Publishing

The joint publication of one copy righted work by two publishers.

Copyright

As a noun, means the exclusive rights granted to authors and composers for protection of their works; a song or musical composition; as a verb, to secure protection for a song by filling the proper registration forms with the Copyright Office.

Copyright Infringement

Stealing or using somebody else’s copyrighted materials.

Copyright Notice

Notice comprised of three elements: 1. The symbol of copyright, the word “copyright,” or the abbreviation “Copr.” 2. The year the work has been registered for copyright or the year of first production of the work. 3. The copyright owner’s name.

Copyright Office

Federal government department, one of whose main purposes is to file and supply information regarding copyrights.

Copyright Royalty

Tribunal A committee created by Public Law 94-553 to determine adjustments starting January 1, 1978, of royalty rates with respect to compulsory licenses for educational television, cable television, jukeboxes, and sound recordings.

Co-Writing

Joint authorship of one work by two or more writers.

Cross Collateralization

Means of recouping the money spent on one song or recording against the earnings of another song or recording.

Curriculum Vitae

Alternative to a resume; short account of one’s career or qualifications.

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Delivery/Distribution Manager Film

Once you have a distribution deal in place, "Delivery", a technical term, is next. It consists of supplying the physical elements such as the interpositive, internegative, soundtracks, video masters, stills and slides and the legal elements such as copyright registration, rights documents insurance, copyright and title searches and talent agreements.

Demo Firm

An organization that specializes in creating demos.

Director

Charged with staging a play or musical, who coordinates all onstage aspects of the production, including the performances of the actor. In television and film production, this person influences the actions of actors and action sequences during filming, and supervises editing afterward.

Distributor

Company that exclusively handles the sales of a company’s product to jobbers and retail outlets for a certain territory.

Demo Firm

An organization specializing in the production of demo tapes.

Demo Tape

An audiocassette, audio CD or DVD recording of a talent’s recorded demonstration.

Distributor

Company that exclusively handles the sales of a record company’s product to jobbers and retail outlets for a certain territory.

Distributor/Distribution Manager – Film

Independent producers are not usually involved in the distribution of films. Distribution is still the domain of the Hollywood-based major studios that generate more than 90% of U.S. box office, but there are also smaller distributors and independent sales agents who handle independent productions. There are also non-profit organizations that can lend a hand in various ways.

Drop/Pickup

Term used when an actor is dropped from, then picked-up by payroll; this can only be done when there are ten working days between the drop and pick-up work dates and can only be done one time per actor per project.

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Flashing

What is said when taking a flash picture.

Impresario

An entertainment entrepreneur.

Ink

To sign a contract.

Internship/Apprenticeship

Situations in which aspiring artists receive training and perform designated tasks in creative, administrative and technical areas. Typically these positions are non-paid and credit-based.

License

A legal permit or to authorize by legal permit.


Manager

A person who guides an artist in the development of his/her career. Same as artist or personal manager.

Market

Selling place; medium where a particular product sells well.

Mechanical Rights Organization

Collection agency for copyright owners of money earned from the mechanical reproduction of their songs.

Mechanical Royalties

Money earned for use of a copyright in mechanical reproductions, most notably records and tapes.

Music Publisher

The individual or company who screens songs and gets them commercially recorded, exploits the copyrights, protects the copyrights, and collects income from performance, mechanical synchronization and printing rights both in the United States and in foreign countries.

Must Join

A situation in which an actor has used up the 30-day grace period to join a union and upon hiring for the next job must join that union as mandated by the Taft-Hartley law.

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Option

Acquiring the rights to a story, such as a current events, true-life story, that guarantees that no one else can work with the party who sold the story. Options typically last for a year or less.

Packager

One who selects and combines talent for shows.

Parent Union

The first professional union you join; subsequent unions are sister unions.

Per Diem

Money given to actors and crew when on location to cover the expense of food and other personal incidentals.

Performing Rights

Rights granted by U.S. copyright law which states that one may not publicly perform a copyrighted musical work without the owner’s permission.

Performing Rights Organization

Society whose purpose is to collect monies earned from public performances of songs by users of music and to distribute these to the writers and publishers of these songs in a proportion that reflects as accurately as possible the amount of performances of each particular song.

Performance Royalties

Monies earned from use of one’s song on radio, television and other users of music.
Period Project not set in current time period.

Physical Film Producer

Once you have a script, director, cast and financing, you can then proceed to make a movie. Details and procedural steps will include: setting up a production company (if one isn’t already in place); hiring employees or engaging independent contractors; setting up accounting and payroll services, becoming signatory with the talent and craft guilds, finding location; clearing the script and title of any obstacles; while shooting, getting the best performances from cast, crew and director; while watching budgets and time; in post-production, helping to edit shot footage into the story line.

Plus Ten

The 10% commission negotiated by an agent, specifically referring to the 10% added to the base pay negotiated for the actor. (If the job pays only scale, the agent can not take a percentage unless he has negotiated the contract to be on a plus-ten basis).

Points

A percentage of money producers and artists earn on the retail list price of 90 percent of all records sold.

Press

The manufacture of a large quantity of records duplicated from a master for commercial sale.

Press Kit

A presentation including newspaper clippings, review of movie, television, musical and theater productions, a biography, headshot and resume given to the media and interested industry professionals. Also called a press package.

Professional Manager

The person in charge of screening new material for music publishers and of obtaining commercial recordings of songs in his company’s catalog.

Program Director

Radio station employee who determines which songs shall be broadcast.

Project Developer

The function in this role is to write or supervise the writing of a screenplay that can attract a director, cast and financing. If the screenplay is to be based on material owned by someone else, or is co-authored with others, the rights for it must be optioned or acquired.

Project Financer

Upon securing a director and principal actor, production financing is next. Sources of independent financing are family and friends, equity investors, distributors in the form of domestic studios and foreign sales agents, banks, foreign subsidies and tax incentives. A lawyer is absolutely needed during this phase.

Project Packager

When a screenplay is finalized the film must be packaged and financing secured. The film package consists of the script, director, producer, and cast, as well as the budget and production schedule. The budget and schedule are flexible and usually can be changed and adapted as time goes by. However, it is a good idea to have a budget range in mind during the development process. But overall, the fundamental issues of this process are when and how to get talent.

Promoter

One who secures talent from an agent for the production and presentation of a performance; the primary risk taker in the event.

Publication

The printing and distribution of copies of a work to a public by sole or other transfer of ownership, or by rental, lease or lending.

Public Domain

Unprotected by copyright due to an expired copyright or caused by an invalid copyright notice.

Publicist

A person hired to create public awareness of a person or project.

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Release Film/Music

The issuing of a record by the record company, or a film by a studio.

Release Legal

Legal document releasing producer from liability, usually refers to talent allowing the producer to use his or her likeness on film and soundtrack.

Residuals

Also known as royalties, these are additional monies to actors (but not extras) for film, TV or commercial work airing on local television or international television stations.

Rider (to Contract)

An addition to a performer’s union contract that outlives a special circumstance for pay, and airing privileges given to the production company by a union.

Right-to-Work

Ability to accept employment without joining a labor union, usually referring to states whose labor codes insure that right.

Right-to-Work State

In a right-to-work state, actors who have not joined a union may do both union and nonunion work. Companies cannot refuse to hire an actor because they do not belong to a union or do not want to join a union. This does not mean that a union actor in one of these states my do both union and nonunion work; union actors must still abide by union rules. The right-to-work states are: Alabama, Arizona, Arkansas, Florida, Georgia, Indiana, Iowa, Kansas, Louisiana, Mississippi, Nebraska, Nevada, North Carolina, North Dakota, South Carolina, Tennessee, Texas, Utah, Virginia and Wyoming.
Royalty
Rush Calls

Road Manager

Traveling supervisor hired by artist to coordinate details of concert tours on behalf of the artist.

Royalty

Money earned from use of the record or song.

Rush Calls

A last minute call by an agency to an actor for an audition or a job.

SASE

SASE Means "self-addressed, stamped envelope."

Signator/Signatory

A company which has signed an agreement with a union, agreeing to adhere to all the rules of that union, whether it be SAG, AFTRA, DGA, etc.

Sister Union

One or more additional unions you join after the first one. The first union you join is your parent union.

Stable

The roster of models an agent represents.

State-of-the-Art

Current or fresh.

Studios/Studio School

Acting schools usually founded by and built around a single master teacher and his or her vision or theory of the acting craft. They generally offer a variety of classes that can be taken in eight- or ten-week segments, or longer terms.Statutory Copyright Status acquired by a composition when it is registered with the Copyright Office or is published with the proper copyright notice.

Subpublisher

The company that publishes a song or catalog in a territory other than that under the domain of the original publisher.

Subpublishing

When the original publisher contracts his song or catalog to be handled by a foreign publisher for that territory.

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Taft-Hartley Law

A law that allows non-union actors to work under a union contract for their first role. After that, they must join the union.

Talent Scout

Hired by studios and casting agencies to search for fresh star talent.

Talkback

The system that allows people in the control room to talk with the talent in the studio.

Time Reversion Clause

Contractual agreement in which a publisher agrees to secure recording and release for songwriter’s material within a certain period of time. Failure to secure recording and release triggers reversion of the song rights to the writer.

Trades

Industry newspapers and magazines read by all professionals to keep up with trends and news in the entertainment business.

UPM

Unit Production Manager.

Union Scale

Minimum wage scale earned in employment by members of AFTRA, AF of M, SAG, etc.

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Writer’s Signature

Unique style of the writer.

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